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Usually in the middle of the night-always with the Sorcerer soundtrack blasting away.
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I wrote the first drafts of Miracle Mile in 1978. We’ve also spoken with writer/director Steve De Jarnatt about collaborating with Tangerine Dream on Miracle Mile, the film that opens the series this Friday, June 1. In the line-up is a handful of rarities, including the North American premiere of Philippe Garrel’s surrealistic Le berceau de cristal, starring Nico and Dominique Sanda.īelow we’ve gathered some of the band’s seminal tracks, from both their studio albums and their film scores-so get ready for some of the most otherworldly sounds ever put to wax. In celebration of the band’s North American tour launching in June, BAMcinématek presents a week-long sampling of their work in film. In more than 30 films that run the gamut from low-budget genre flicks to lavish Hollywood productions to European art cinema, the band has used its complex soundscapes to deepen the ominous mood of a slasher flick ( Strange Behavior), highlight romance in an FX-driven fantasy ( Legend), and evoke a criminal’s existential crisis ( Thief).īurbling beneath the highly stylized visuals of the great filmmakers they have chosen to work with-among them Michael Mann, Philippe Garrel, and Kathryn Bigelow-Tangerine Dream’s audacious layering of sonic blips, spacey atmospherics, and intricate synth patterns has not only extended the vocabulary of modern film music, but also demonstrated the emotional range of the synthesizer-an instrument that in the 80s was still subject to swift changes in technology and was disdained by many serious music lovers.
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Revered as the architects of a wide range of instrumental genres that came of age in the 80s, including kraut rock, new age, and electronic dance, the German band Tangerine Dream has been equally responsible over the past three decades for giving movie music a new, modern heartbeat.
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